Feminisms in art history
DOI:
https://doi.org/10.59057/iberoleon.20075316.202036155Keywords:
gender, critical feminine theory, equity, patriarchy, artAbstract
The theme of women has been the subject of extensive research, with the aim of rescuing from oblivion female participation in art; however, this literature emerged a short time ago, so we are still working on making known the works and contributions that the female genre made throughout different eras. This article reviews, as a reflection, the role of women in the history of art to reveal that she has been overshadowed by patriarchy, reason why they are not mentioned in university studies programs.
Downloads
References
Ansede, M. (2019). El paradójico autor de “La indigencia espiritual del sexo femenino”. Una biografía rescata la contradictoria figura de Roberto Nóvoa, pionero del machismo pseudocientífico. El País. Recuperado de https://elpais.com/elpais/2019/02/14/ciencia/1550153499_756917.html.
Caso, Á. (2005). Las olvidadas. Una historia de mujeres creadoras. Planeta.
Mayayo, P. (2003). Historia de mujeres, historia del arte. Cátedra.
Montero, R. (2018). Nosotras. Historias de mujeres y algo más. Alfaguara.
Nochlin, L. (1971). Why Have There Been No Great Women Artist? Thames and Hudson.
Ruiz-Domènec, J. E. (2003). La ambición del amor: Historia del matrimonio en Europa. Aguilar.
Cordero Reiman, K. y Sáenz, I. (2007). Crítica Feminista en la teoría e historia del arte. Universidad Iberoamericana Ciudad de México-UNAM-Conaculta.
Sheriff, M. D. (1996). The Exceptional Woman: Elizabeth Vigée-Lebrun and Cultural Politics of Art. University of Chicago Press.
Petersen, K. y Wilson, J. J. (1976). Women Artists. Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century. New York University Press.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Entretextos
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
