The discourse of postmedia photography

Abstract

With the emergence of the Internet as a new scenario of socialization and innovative and communicative action, the ease of access to information and the increase of creative potential in users have been generated. We are facing the construction of a post-media and emerging world in which the various means of expression have been transfigured. The priority of this article is to present an alternative way of looking at photography, from the point of view of production, distribution and consumption.